Thrown

Becky is a mother of one who takes great satisfaction in her independence. She has bitter experience knowing that guys may be problematic.

Louise: a devoted spouse and beautiful children. She should be more appreciative.

Jameela has never done anything except work hard and give it her all. Why is life refusing to grant her the one thing she truly desires?

Sheila: her husband seems to be preoccupied, but the nest is empty, and she longs to run away to the sun.

The people that live in the Inventor's Housing Estate are private individuals. It's not exactly Ramsay Street, however there are the occasional cheeky eye roll and cheerful "Hellos" when journeys coincide with each other.

The decaying community center is no longer the vibrant hub of the estate that Becky grew up on. It feels like a new beginning because she helped set up the new pottery class. Not only for her, either.

The eccentric neighbors gather together to practice a new talent under the close supervision of their engaging instructor, Sasha. And just as the life of four women is slowly and carefully molded into exquisite pots and delicate vases, so too are the soft, ordinary lumps of clay. Relationships are broken and rebuilt, hidden emotions and heartaches are exposed, and the potential for change is made apparent.